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Arie Amaya-Akkermans

Arie Amaya-Akkermans

21 novembre 2023 | start h 18:30
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From Alalakh to Gaza: The Archaeology of Urban Destruction

Talk in lingua inglese
In-ruins residency 2023. Arie Amaya-Akkermans at Museo Archeologico della Sibaritide. Photo courtesy Akshay Mahajan and In-ruins

Arie Amaya-Akkermans is an interdisciplinary practitioner and independent researcher, working on the intersection between contemporary art and archaeology. He has written extensively about contemporary art in the Middle East and his writings have appeared on Hyperallergic, San Francisco Arts Quarterly, the Art Newspaper and he’s a senior writer at The Markaz Review. Previously he has been an expert fellow at IASPIS, moderator in the talks program of Art Basel, guest editor of Arte East Quarterly, and serves as co-editor of Perambulation. Between 2019 and 2022, he curated and co-produced the first contemporary art exhibition at an archaeological museum in Turkey, at Sadberk Hanim Museum, and in 2023 he was a resident of In-Ruins, at the Archaeological Park of Sybaris.

 
 
The disappearance of cities in the Levant to conflict, natural disaster and the abyss of time, has been a part of its rich history throughout antiquity. A number of these cities have been excavated by modern archaeology, giving us a glimpse into socio-political events that led to their demise. Yet, cities in the region today continue to disappear through conflict and disaster – destroyed, abandoned and sometimes rebuilt, such as Beirut, Aleppo, Antakya and now more recently Gaza. We will look at the archaeological narratives about the destruction of a number of ancient Mediterranean settlements (Alalakh, Zincirli and Sybaris), in order to formulate a contemporary view of urbicide, and the ways in which artists have used archaeological methods to understand urban destruction in the present. With a focus on the ongoing destruction of Gaza, our archaeological gaze will be directed at the complex relations between peoples and the built environment, the violence of urbicide as a war crime and the possibilities for art and archaeology to serve as witnesses.
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